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Dance Star Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is effortlessly upright, his limbs defined beneath a simple tee. On stage, ballet dancers can seem as powerful gods, yet often in person they are petite. Not so Ball, whose tall stature is part of his demand for princely roles and pas de deux work. With delicate features and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Pinnacle

Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Growing up in Liverpool, he faced minimal teasing for his early interest in ballet. Entering the esteemed training institution at 11, he graduated straight into the troupe and was advanced annually, reaching the highest position of lead dancer in 2018. He has loved taking on meaty dramatic roles, especially the emotional turmoil found in Kenneth MacMillan's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming starring role is in a talk, in an "Evening With" series designed to offer behind-the-scenes perspectives into a performer's art. He will guide the audience through a part, showing his mental process during execution. Yet in more comedic ballets, the challenge is significant. "A classic ballet is one of the toughest technically," he states.

The Mental Struggle and Post-Performance Feelings

What about following a show, when he has pulled it off? "It feels pretty good," he says. "But because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel self-conscious afterwards. Following an intense role I'm always thinking: Wow, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. But a choreographer previously remarked on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for positive change."

Early Motivations and Artistic Influences

Ball's determination stemmed from youthful experiences. Not excelling in competitions at school made him "driven!" This became fuel to prove he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next challenge is creating his own dance works. In his view, "organic movement has value." "Breaking the conventions is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, music, and painting.

Close-Up Performance and Personal Partnership

He additionally favors staging dance in smaller spaces. "It was just really thrilling," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a person, and they’re sweating.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They are not typically paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Image

On Instagram, fans can see videos from his projects and photos that highlight a athletic form. Does he care that the engagement can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very precious about it," he states. He relates it to seeing Michelangelo’s David—something that can be interpreted on various ways.

Ball describes his early self as "desperate for success." Has it met his expectations? "I feel very aware of how life is a different reality to the dreams you had as a young person," he muses. He likely has about decade of dancing left. "I suppose in the time to come, I want to be a bit more gentle with myself."

KC
The writer

Kevin Clark

A digital strategist with over 15 years of experience in tech innovation and business transformation across Europe.

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